Friday, September 29, 2006

Good word

"Squeaky Fromme isn't the only one who can shave her head and make something of it."

-- Robert Christgau, on Sinead O'Connor

Thursday, September 28, 2006

Moonlighting strangers

Okay, I promise not to make a writing habit of the interspersed periods, but tell me this notice in today's Rhythm section is not the Greatest. Ad. Ever.

Tuesday, September 26, 2006

Speaking out

For many days recently there were demonstrations at the Blair Street facility of Madison Gas and Electric Company. The protestors opposed MGE's plan to reduce pension benefits.

I biked through the demonstrations each day on my way home from work, and as I did I tried to make out what their placards said. One said, spelling MGE, "Money Greedy Executives." Another said, "MGE: Your Neighborhood Enron."

There was another sign that eventually I realized said "Future 4 Sale." But do you know what I thought it said at first?

"Futon 4 Sale."

Hey, when you've gotta move the merch, you've gotta move the merch.

Friday, September 22, 2006

Fun with the Internet

Here's a curiosity for you rock-fans: The dissertation abstract of Sterling Morrison, the founding Velvet Underground guitarist who died eleven years ago last month. He earned a doctorate in medieval English literature from the University of Texas-Austin in 1986. The dissertation is called Historiographical Perspectives in the Signed Poems of Cynewulf. Did you know he was also a tugboat captain? Not Cynewulf, Sterling Morrison.

Hagiography: It's my life, and it's my wife.
The modern appreciation of Cynewulf's four signed hagiographical poems--Fates of the Apostles, Juliana, Elene, and Christ II--benefits considerably from an awareness of medieval historiographical ideas (classical and Christian) in addition to a familiarity with the unique characteristics of hagiography. Unlike the modern view that hagiography is to be rigorously differentiated from historiography, the medieval conception of both treats hagiography as a species of historiography. The historiographical ideas expressed in the signed poems derive from the classical tradition which begins with Herodotus and ends with Tacitus, and which provides literary forms, emphasizes style and moral purpose in historiography, and supplants entirely the undeveloped Anglo-Saxon conception of history (as exemplified in Beowulf). The Christian tradition then subsumes these classical concepts, and the apparent incongruity of historical 'fact' on the one hand and hagiographical marvel on the other is eliminated in the four levels of medieval exegesis. In most respects, Cynewulf's signed poems are clearly the work of a traditional Anglo-Saxon poet. Cynewulf departs significantly from tradition, however, when he manipulates the hagiographical forms within which he is writing in accordance with Christian historiographical theories. Consequently, one finds that the Fates is so intensely anagogical in its orientation that it steps beyond the temporal confines of the historical Martyrology: this preoccupation with the Hereafter thus explains Cynewulf's supposed 'double ending' to the poem. In Juliana an Augustinian view of history prevails, and the schematized events depicted illustrate the conflict between the City of God and the City of Man. Elene, on the other hand, exhibits the Eusebian/Orosian view that God's governance of history is manifest in the rise of Rome and in the conversion of Constantine: the poem illustrates God's direct intrusions into history--in this case, through human agents (Constantine, Helena, and Judas Cyriacus) in search of the True Cross. And finally, Christ II reveals the tight knitting of the Christian historiographical scheme whose principal events are the Creation, the Incarnation, and the Day of Judgment: in describing the Ascension Cynewulf is thus led to consider the other parts of the structure as well (which results in a non-linear presentation of events in the poem).

Thursday, September 21, 2006

Tin can

I know it started life as a propaganda tool, and it still is that (though it is a weirdly ambiguous propaganda tool). I know it costs taxpayers zillions of dollars that could be spent on -- well, you name it.

But I still am awed and captivated by human spaceflight in general, and by the space shuttle in particular. I would go up in that thing in a heartbeat.

Welcome home, sailors.

Wednesday, September 20, 2006

They don't bake

I pass this on without comment.

American idol

Here's the latest amusing Google search that brought someone to this Web site:

kelly clarkson thorough biography

Isn't that what we're all searching for?